Hey, Rake!

I left home yesterday for a two-week business trip, and I’m already missing my workshop. (Okay, so I’m missing my wife and kids, too!) Maybe this is a chance to update the blog with some recent work.

With a functional (if not yet painted) tool chest, it was time to pick back up on a neglected project: my hay rake table. I know, I started this project well over a year ago. Let’s just say the cobbler’s children may finally get new shoes this fall.

The hay rake stretchers came together relatively easily. I was pleased with the way the legs came together with the stretchers.

The base is now nearly complete. I need to complete the scroll detail at the ends of the top bars that support the tabletop, and join those to the legs.

I’m tempted to embellish these scrolls with more detailed spiral carvings, since they already suggest the volutes of an Ionic column. I’m really torn here: I’d been looking forward to adding carving to my work, and the minimal carving to define the scroll went very quickly. I worry a bit that an overtly Classical reference would seem a little out of place on an Arts and Crafts piece. It could work, especially in the context of the volutes on a Windsor chair.

What do you think? Stop with the scrolls as they are, or continue to carve a more intricate volute?

In the home stretch.

The stretchers assembled.

Dry-fitting the legs to the stretchers.

Dry-fitting each mortise and tenon joint.

A closer look at the hay rake stretchers.

Drawbored mortise and tenons may be my favorite joints to make.

These “top bars” need to be joined to the legs.

A sharp plane iron leaves a mirror-smooth surface.

Beginning to lay out the scrolls.

Ready to carve this turkey.

I like the logic of this design.

The red will be wasted away; the pencil will be carved.

I refined the scroll shape with a block plane and spokeshaves.

Another shot of the scroll.

I carved the concave space here with a 3/4″ No. 3 carving gouge.

Scroll carving up close.